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Weinzierl, S., Lepa, S., Schultz, F., Detzner, E., von Coler, H., & Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments. Journal of the Acoustical Society of America, in press. Cite
Weinzierl, S., Lepa, S., & Grigoriev, D. (2018). A measuring instrument for the auditory perception of rooms: The Room Acoustical Quality Inventory (RAQI). Journal of the Acoustical Society of America, 144(3), 1245–1257. Cite
Lepa, S., & Seifert, M. (2016). Embodied Listening Modes as Part of Habitual Music Media Orientations: Relating Young Adults’ Audio Technology Use with Their Music Socialization and Taste Preferences. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(2). http://ojs.meccsa.org.uk/index.php/netknow/article/view/430 Cite
Lepa, S., Hoklas, A.-K., Egermann, H., & Weinzierl, S. (2015). Sound, materiality and embodiment challenges for the concept of ‘musical expertise’ in the age of digital mediatization. Convergence: The International Journal of Research into New Media Technologies, 21(3), 294–300. https://doi.org/10.1177/1354856515579837 Cite
Hoklas, A.-K. (2015). Vinyl. The analogue record in the digital age. Information, Communication & Society, 0(0), 1–3. https://doi.org/10.1080/1369118X.2015.1093013 Cite
Lepa, S., & Hoklas, A.-K. (2015). How Do People Really Listen to Music Today? Conventionalities and Major Turnovers in German Audio Repertoires. Information, Communication & Society, 18(10), 1253–1268. https://doi.org/10.1080/1369118X.2015.1037327 Cite
Lepa, S., & Seifert, M. (2015). Musikalische Vorlieben oder Alltagsästhetische Schemata? Zur relativen Bedeutung von Demographie-, Sozialisations- und Persönlichkeitsvariablen für die Optimierung digitaler Musikempfehlungssysteme. Jahrbuch Der Deutschen Gesellschaft Für Musikpsychologie, 25, 116–141. Cite
Hoklas, A.-K., & Lepa, S. (2015). Mediales Musikhören im Alltag am Beispiel des Plattenspielers: Auditive Kultur aus der Perspektive der praxeologischen Wisssenssoziologie. Navigationen - Zeitschrift Für Medien- Und Kulturwissenschaften, 15(2), 127–143. Cite
Lepa, S. (2014). Alles nur noch „digital“? Die Audiorepertoires des alltäglichen Musikhörens in Deutschland. Publizistik, 59(4), 435–454. https://doi.org/10.1007/s11616-014-0215-3 Cite
Lepa, S., Hoklas, A.-K., & Weinzierl, S. (2014). Discovering and interpreting audio media generation units: A typological-praxeological approach to the mediatization of everyday music listening. Participations - Journal of Audience & Reception Studies, 11(2), 207–238. http://www.participations.org/Volume 11/Issue 2/12.pdf Cite
Guljamow, M., Lepa, S., & Weinzierl, S. (2013). Survey Musik und Medien 2012: Die Nutzung neuer digitaler Technologien und Angebote des alltäglichen Musikhörens durch Jugendliche. Merz - Medien + Erziehung, Heft 2013/6-Aufwachsen in komplexen Medienwelten, 84–96. http://www.merz-zeitschrift.de/?RECORD_ID=6731 Cite Download
Lepa, S., Hoklas, A.-K., Guljamow, M., & Weinzierl, S. (2013). Wie hören die Deutschen heute Musik? Trends und Basisdaten zur musikbezogenen Audiomediennutzung 2012 in Deutschland. Media Perspektiven, 11, 545–553. http://www.media-perspektiven.de/fileadmin/user_upload/media-perspektiven/pdf/2013/11-2013_Lepa_Hoklas_Guljamow_Weinzierl_01.pdf Cite
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Hoklas, A.-K., & Lepa, S. (2017). Welchen Beitrag ‚leistet‘ die Materialität der Medien zum soziokulturellen Wandel? In F. Krotz, C. Despotović, & M.-M. Kruse (Eds.), Mediatisierung als Metaprozess (pp. 281–302). Springer Fachmedien Wiesbaden. https://doi.org/10.1007/978-3-658-16084-5_13 Cite Download
Lepa, S., Krotz, F., & Hoklas, A.-K. (2014). Vom ‚Medium‘ zum ‚Mediendispositiv‘: Metatheoretische Überlegungen zur Integration von Situations- und Diskursperspektive bei der empirischen Analyse mediatisierter sozialer Welten. In F. Krotz, C. Despotovic, & M. Kruse (Eds.), Die Mediatisierung sozialer Welten: Synergien empirischer Forschung (pp. 115–141). VS - Verlag für Sozialwissenschaften. http://doi.org/10.1007/978-3-658-04077-2_6 Cite Download
Lepa, S. (2013). Emotionale Musikrezeption in unterschiedlichen Alltagskontexten: Eine wahrnehmungsökologische Perspektive auf die Rolle der beteiligten Medientechnologien. In J. Schröter & A. Vollmar (Eds.), Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (pp. 373–391). Transcript. http://www.amazon.de/dp/383761686X Cite Download
Lepa, S. (2012). Was kann das Affordanzkonzept für eine Methodologie der Populärkulturforschung “leisten”? In M. S. Kleiner & M. Rappe (Eds.), Methoden der Populärkulturforschung: Interdisziplinäre Perspektiven auf Film, Fernsehen, Musik, Internet und Computerspiele (pp. 273–298). Lit-Verlag. http://www.amazon.de/dp/3643111592 Cite Download
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Lepa, S., & Hoklas, A.-K. (2016). Discontinuities in Long Term Media Habits. The Role of Changing Life-Circumstances for Transformations of Everyday Music Listening Practices. “Mediated (Dis)Continuities: Contesting Pasts, Presents and Futures”. 6th European Communication Conference (ECREA 2016), Prague (Czech Republic). Cite Download
Hoklas, A.-K. (2015). Von magischen Augen und unliebsamen Stöpseln im Ohr. Zur wissenssoziologischen Rekonstruktion altersspezifischer Orientierungen und Praktiken am Beispiel der Nutzung von Audiotechnologien zum Musikhören. Tagung Alter(n) in Beziehungen. Ordnungen, Praktiken, Materialitäten, Hamburg. Cite Download
Lepa, S. (2015). Jenseits der Varianzaufklärung: Grundlagen der Qualitative Comparative Analysis (QCA) und ihre Eignung zur Identifikation relevanter Fallstrukturen für qualitative FollowUp-Studien. „Nach der Datenerhebung – good and best practices“. 17. Jahrestagung der Fachgruppe »Methoden« in der DGPuK, Hohenheim. Cite Download
Seifert, M., & Lepa, S. (2015). Medienmusikalische Sozialisation und genretypische Körperpraktiken: Ergänzende empirische Befunde zu Mechanismen der Audiorepertoiregenese im Jugendalter. “Verantwortung – Gerechtigkeit – Öffentlichkeit” - Jahrestagung 2015 der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft (DGPuK), Darmstadt. Cite Download
Lepa, S., & Hoklas, A.-K. (2015). Socio-Material Practice Theories as a Third Way in Mediatization Research: Explaining the lifecycle of collectively shared long-term media habits with audio media. “Mediatisation of Culture and Everyday Life: Comparisons, Histories and Critiques”, International workshop of the ECREA TWG Mediatization, Stockholm. Cite Download
Lepa, S., Hoklas, A.-K., & Weinzierl, S. (2014). Reconstructing the mediatization of everyday music listening in Germany: Discovery and interpretation of audio media generation units. ‟Media Generations” - Workshop of the University of Luxembourg and the DFG-Priority Research Program 1505 “Mediatized Worlds,” Bremen. Cite Download
Lepa, S., & Hoklas, A.-K. (2014). Das Dispositivkonzept als analytischer Zugang zur Interaktion von Diskursen, Medien und Praxis: Produktive Komplementaritäten im medienwissenschaftlichen und soziologischen Begriffsverständnis und der Versuch einer Neuinterpretation. SPP-Workshop “Diskurs-Medien-Praxis am Institut für Soziologie, Frankfurt am Main. Cite Download
Lepa, S., Weinzierl, S., Maempel, H.-J., & Ungeheuer, E. (2014). Mediatisierte Stimmung: Experimentelle Belege für die Bedeutsamkeit der verwendeten Wiedergabetechnologie für den empfundenen emotionalen Ausdruck medial rezipierter Musik. DAGA 2014 - Jahrestreffen der Deutschen Gesellschaft für Akustik, Oldenburg. Cite Download
Lepa, S., & Hoklas, A.-K. (2014). The Mediatization of Everyday Music Listening: Exploring the Historical Genesis of Current German Audio Media Repertoires. Communication for Empowerment: Biannual European Communication Conference of the European Communication Research and Education Association (ECREA), Lisbon, Portugal. Cite Download
Lepa, S., & Hoklas, A.-K. (2014). Survey Musik und Medien. Die empirische Rekonstruktion der medienmusikalischen Orientierungen verschiedener „Audiogenerationen“ als Grundlagenbeitrag zur Erforschung auditiver Alltagskultur. 1. Tagung der GfM-AG Auditive Kultur und Sound Studies: „Von akustischen Medien zur auditiven Kultur? Zum Verhältnis von Medienwissenschaft und Sound Studies“, Bonn. Cite Download
Lepa, S. (2013). Survey Musik und Medien. Zur empirischen Rekonstruktion der Mediatisierung alltäglicher Musikrezeption in Deutschland. Forschungskolloquium des Zentrums für Medien-, Kommunikations- und Informationsforschung (ZeMKi), Bremen. https://prezi.com/embed/in9zflkzp8xl/ Cite Download
Lepa, S., Maempel, H.-J., Ungeheuer, E., & Weinzierl, S. (2013). Technology matters: An experimental exploration on how the spatial cues afforded by different audio playback devices shape the perceived emotional expression of mediatized music. 3rd International Conference on Music & Emotion (ICME 3), Jyväskylä, Finnland. Cite Download
Lepa, S., Bleisteiner, M., Fuss, A., & Steger, D. (2013). Buildup, Breakdown and Drop. An initial experimental approach for explaining the emotional impact of DJ performances in Electronic Dance Music (EDM). 3rd International Conference on Music & Emotion (ICME 3), Jyväskylä, Finnland. Cite Download
Hoklas, A.-K., & Lepa, S. (2013). Zur empirischen Rekonstruktion alltäglicher musikalischer Mediendispositive. Jahrestagung der Sektion »Methoden der qualitativen Sozialforschung« der Deutschen Gesellschaft für Soziologie (DGS): Hier und jetzt und anderswo. Situativität in medial vermittelten Kontexten, Gießen. Cite Download
Lepa, S., Ungeheuer, E., Maempel, H.-J., & Weinzierl, S. (2013). When the medium is the message: An experimental exploration of ‘medium effects’ on the emotional expressivity of music dating from different forms of spatialization. 8th Conference of the Media Psychology Division of Deutsche Gesellschaft für Psychologie (DGPs), Würzburg. Cite Download
